Here are just a couple of the projects I have in progress right now. Both are necklaces. The smaller one I started about a week ago. The larger one has been in the works for over a year. I also have a frying pan for which I am beading an interior with words and phrases, like "If you can't stand the heat, get out of the kitchen." I started it after I finished my vest at summer's end. I intended it for an exhibit that opened earlier this month called, "Hot Stuff," but lost steam with the obligations of my family in the fall and the work and activities surrounding the holidays. These are only a few of the works I have in progress. There are at least half a dozen projects in my studio. And at least three more downstairs, where I more often work, including two repairs.
I like my studio, and it has good storage, work space and great lighting including 3 skylights, but no real windows, and I have learned that I actually prefer working downstairs in the heart of my home, where I can look outside in at least 3 directions. Whether it is grey winter as now, or deep green summer, I love being surrounded by the outdoors. I live in a small city, but it feels more rural than the Pennsylvania suburbs where I grew up. In the last year, we've had deer, moose, and a bear in our backyard. Those are almost always fleeting encounters seen through the safety of our windows, but there is still a sense of connection with the wild world. (Though, I love that my windows keep the insects outdoors!) Also, while my studio has plenty of space for projects, I have learned that if my work is out of sight, I get caught up in the duties of mothering, housekeeping, and the various boards on which I serve, and it is harder to be motivated to work. So, I have carved out a space in the main living area where I keep current projects.
Having them in plain sight is a good reminder to be working. Having deadlines is a good motivator to finish. Guilt is also helpful. There is a fine balance between being excited by new ideas, trying new stitches or concepts, and bringing projects to completion. Sometimes a diversion is a good learning exercise. Other times it is merely a distraction.
Once a week I meet with a friend and fellow artist for lunch and conversation. We often do small work after we finish eating. This is a staple for me, and I think I'd be even more productive if I could manage another regular time with one or more artists, where we'd work, critiquing and encouraging each other. It would help as a motivator to finish more othose ideas I am juggling!